NEWS

  • Jacob Goble BANKRUPT opens Saturday, September 12th from 6 to 9pm

    Jacob Goble BANKRUPT opens Saturday, September 12th from 6 to 9pm

    SARDINE is pleased to present BANKRUPT, a solo exhibition of a new series by Jacob Goble. The show opens Saturday, September 12 from 6 to 9pm and will be up through Sunday, October 4, 2015.

    For BANKRUPT, Goble steals, and then runs with the icons, color, and language of the television game show “Wheel of Fortune”. Over 30 years that it’s been on air, it’s rules, prizes, and even hosts have remained the same. It’s a benign institution. A dependable place for easy chair fantasies. For Goble, it's as a template to bring up cutting analogies on making art, the art world and life as a whole. He reminds us that the saving grace among these familiar rules and traditions, is the presence of the artist’s hand and vision.

    Jacob Goble lives and works in Croton on Hudson, NY. In 2007 he received his MFA in Painting from the Rhode Island School of Design. He has exhibited throughout the US including at Sardine; Queens Museum of Art; Richard Levy Gallery; Carrol and Sons; and The Dorsky Gallery. In 2008 His work was included in the 13th Pancevo Biennial in Pancevo, Serbia.

    Image: Free Play, 2015, oil on canvas, 16 x 20 in.

  • Fundraiser for Bryan Osburn @gallery106green this Sunday

    Fundraiser for Bryan Osburn @gallery106green this Sunday

    Bryan Osburn 'Blue Sun'

    Saturday 1-5 is your last chance to submit something for the Fundraiser for Bryan Osburn @gallery106green this Sunday.

    OR to purchase a raffle ticket to receive a work by an incredible group of artists, please go http://www.106green.com/

    More info on the fundraiser: We know it is an imposition to be asked, as an artist, to give your work away for free, but we think this is a good cause.

    Fellow artist and friend, Bryan Osburn, was attacked while walking home from his studio in Greenpoint. He has undergone extensive surgery to put his jaw back together. And he will need financial help as his body and mind heal.

    Please consider donating a small drawing, painting, print, doodle, etc. to our fundraiser. All the proceeds will be going to Bryan. It's empowering to be able to come together as a community of artists when someone we know needs help.

    Please consider donating a small work or buying a raffle ticket to help Bryan.

    There are 2 ways to support Bryan: Donate an artwork. This can be anything you don't mind parting with, smaller is great. We are looking for work under 12 x 12"(ish). They can be dropped off to either Matt Fisher (matthewffisher@gmail.com) or Holly Coulis (hcoulis@yahoo.com) prior to the event, or brought to 106 Green on Saturday, August 8 any time from 1pm to 5pm. Buy a raffle ticket for $100. All names will be put into a box and drawn at random.When your name is called, you will be able to choose any art work available and take it home with you!

    Please take note that the fundraiser will take place at: 104 Green Street, Brooklyn, NY 11222

    Sunday, August 9 from 4 to 7pm

    The raffle will begin at 5pm

  • FOR THE GOOD TIMES opens July 17, 2015

    FOR THE GOOD TIMES opens July 17, 2015

    U:L:O: Part II | L: Curated by Sardine at INTERSTATE

    FOR THE GOOD TIMES

    July 17 – August 2, 2015


    FOR THE GOOD TIMES
    brings together recent work by Ridley Howard, Matthew Kirk, Janine Polak, Conie Vallese, J.D. Walsh, and Letha Wilson.

    For this exhibition value is placed in making no distinction between the factual and fictional aspects of memory. These mythical marks, love scenes, fantastical icons, delicate remnants, scattered tones, and natural wonders are nods to hazy remembrance, visionary creation, and the freedom that comes in moving along.

    Ridley Howard has a M.F.A. at Tufts University and the School of the Museum of Fine Arts Boston. His has exhibited at numerous institutions including: the Museum of Fine Arts Boston; the Savannah College of Art and Design; the National Academy Museum; the High Museum of Art; and the Knoxville Museum of Art. Recent gallery shows include Fredric Snitzer; Koenig and Clinton; and Andrehn-Schiptjenko, Stockholm.

    Matthew Kirk
    lives and works in Brooklyn, NY. His work has been shown at Louis B. James, Exit Art, and Sardine and Pr1mary Space Gallery; and others. In 2010 he was nominated for the Rema Hort Mann Foundation grant.

    Janine Polak lives and works in Queens, New York. In 2008, she earned an MFA from the Yale University School of Art, Department of Sculpture. She has exhibited throughout the US including at Sardine; Daily Operation; Essex Flowers; and Scott Charmin. She has also exhibited internationally in Beijing, China, and Australia.

    Conie Vallese was born and raised in Buenos Aires, Argentina and lives in New York. She studied visual arts at the University of Buenos Aires and attended drawing workshops with Martin Kovensky and sculpture with Lee Tribe at NYSS. She has designed patterns for ONA SAEZ (Argentina) and collaborated with alldayeveryday and Red Bull Studios. Previous exhibitions include REA One Day Gallery, Buenos Aires; Schema Projects, and Con Artist Collective.

    J.D. Walsh lives and works in Brooklyn, NY. He is a graduate of the Milton Avery Graduate School of the Arts, Bard College. He has exhibited nationally and abroad including; Sardine, Daily Operation, Halsey McKay, Nicole Klagsbrun, Cleopatra’s, and Galerie Steinek. In 2012, his public art installation “Ensemble for Mixed Use” was commissioned by the City of Toronto for the 2012 Nuit Blanche festival.

    Letha Wilson was born in Honolulu, raised in Colorado and lives and works in Brooklyn. She earned an MFA from Hunter College. Wilson has exhibited at the Essl Museum, Bemis Center for Contemporary Art, Bronx Museum of the Arts, Socrates Sculpture Park, Exit Art, Daily Operation, ARKO Art Center and the Aldrich Museum of Contemporary Art. Recent solo exhibitions include: Higher Pictures; Light- work; Brand New Gallery; Christophe Gaillard.

    Interstate Projects
    66 Knickerbocker Ave
    Brooklyn, NY 11237
    VIEW MAP

  • personal:interpersonal:connected opens July 11th from 6-9

    personal:interpersonal:connected opens July 11th from 6-9

    SARDINE is pleased to present a group show titled personal:interpersonal:connected. The exhibition features work by Kate Harding, Deborah Hilert, Sarah Heinemann, Ellen Siebers and Elisa Soliven. 

    It opens Saturday, July 11th from 6 to 9 pm and will be up through Sunday, August 2, 2015.

    personal: idea particular thoughts beginning belief collection own vocabulary pure far apart place maker wonder interpersonal: link social association huddle message cross across tête-à-tête together engagement comingling sock it me between working exchange persuade parley connected: connection correspondence more communication audience head pants now dialogue reveals realms interactive persuasive nice time engage relationship grid 

    Kate Harding is an artist living and working between Los Angeles, New York City and Missouri. Harding has a degree from the School of Visual Arts’ MFA Art Practice program (2014), a BFA from Otis College and an AAS from FIT. Exhibitions and screenings include Echo Park Film Center, Beacon Arts Gallery, Edward Cella Art + Architecture, SeeLine, Track 16 Gallery, Circus Gallery, Los Angeles; East Central College Gallery, Union, MO; The Chelsea Hotel, 2/20 Gallery and Museum at the Fashion Institute of Technology, New York, NY.

    Deborah Hilert lives and works in Brooklyn, New York. She holds a BFA from Virginia Commonwealth University. Hilert has exhibited in several group shows at Sardine and most recently she was included in Harthaus during Bushwick Open Studios.

    Sarah Heinemann is a Brooklyn based artist. She was born in Chicago, IL. Sarah attended Smith College and holds a BFA in Painting from The School of the Art Institute of Chicago. She received an Odyssey Travel Grant from SAIC. Her work has shown at Marwen Alumni Gallery and Open End Space in Chicago, as well as Ace Gallery in New York and Mass MoCA's 28 Holden St. Gallery in North Adams, MA.

    Ellen Siebers is a painter based in New York. Siebers was born and raised in the Midwest. She received her MFA from the University of Iowa and her BFA from the University of Wisconsin-Madison. Siebers recently had solo exhibitions as a part of Bushwick Open Studios and at Matteawan Gallery in Beacon, New York. Sieber’s work is currently part of a group show at frosch&portman called Cosmicomics up through August 16, 2015.

    Elisa Soliven lives and works in Brooklyn, New York. She received an MFA in Painting from Hunter College in 2011. Her work has been included in group exhibitions at Nudashank, Baltimore; Daily Operation at Bull & Ram, NYC; Grizzly, Grizzly, Philadelphia; and Janet Kurnatowski, Brooklyn. In 2014, Soliven had a solo exhibition of recent work at John Davis in Hudson, NY.

    Kate Harding's collaborative project Correspondence features drawings by Michelle Andrade, Sally Bruno, Carole Caroompas, Natalie Castañeda, Meg Cranston, Sarah Cromarty, Carla Danes, Lacey Fekishazy, Heidi Hankaniemi, Sarah Heinemann, Mieko Meguro, Monique Prieto, Redell & Jimenez, Ellen Siebers and Alisha Wessler.

  • Maria Calandra - New Drawings opens May 30th from 6 to 9pm

    Maria Calandra - New Drawings opens May 30th from 6 to 9pm

    Sardine is very pleased to present New Drawings by Maria Calandra. The exhibition opens Saturday, May 30th from 6 to 9 pm and will be up through June 28, 2015.

    New Drawings introduces a body of Calandra’s work in which she draws public and private art collections from direct observation. It is her second solo exhibition with Sardine and features a series of subtle graphite drawings on panel. Where her first show, Pencil In the Studio, was a series of drawings that depicted the contemporary artist’s immediate environs, New Drawings follows an artist’s work where it often ends up living: in homes and museums. More than simply documenting the world of art objects, they are poignant notes of admiration and homage to the presence of art and artists in our lives today. Whether it’s the Rothko room at the Met, or a collection of smaller, more contemporary work hung salon style in a home, they reflect the vibrancy of this experiential and intimate relationship. Lovingly rendered in Calandra’s signature style, the artist’s voice comes first and we are all the better for it.

    Maria Calandra lives and works in Brooklyn. She is a graduate of Cornell University’s MFA program and has previously exhibited with Sardine, Sierra Nevada College, Kinz and Tillou Gallery, Norte Maar, Daily Operation, DNA Gallery, Shoot the Lobster and Storefront.

    See her blog Pencil in the Studio online at: pencilinthestudio.com.

  • Justin Q Martin – May We All Get What We Want opens April 18th

    Justin Q Martin – May We All Get What We Want opens April 18th

    Sardine is pleased to present 'May We All Get What We Want', a solo exhibition of new work by Justin Q Martin. The show opens on Saturday, April 18th with a reception from 6-9 pm, and will be on view weekends through Sunday, May 17th. 

    'May We All Get What We Want' features a new body of work by Justin Q Martin in sewn fabric and collage on paper. He has also created a new sculpture of denim and satin that occupies unique dimensional space. In these works, basic features of faces (eyes, nose, mouth, ears, etc) are quietly manipulated, simplified, and altered. Though they are not specific individuals, each complex, textural rendering takes on unique personalities. Like emoji granted a taste of life, these cartoons of cartoons have a human-scale softness and gravity. Somewhat skeptical of the world, they take all in with caution. They may look back at you, but only on their own time.

    Justin Q Martin lives and works in Brooklyn and has an MFA from Cornell University. This is his first solo exhibition in NY. He has shown with Gallery Rene Mele, Underdonk, Loom Gallery, and Flux Factory.

  • Jaime Gecker | pleasure principle

    Jaime Gecker | pleasure principle

    SARDINE is pleased to present pleasure principle, a solo exhibition of recent work by Jaime Gecker. It opens on Saturday, March 7 with an opening reception from 6-9 pm and will be on view through Sunday, March 29.

    In pleasure principle, Jaime Gecker, referencing both Janet Jackson and Sigmund Freud, lays out an imperfect, but personal plan for seeking pleasure in making things that don’t exist. Lush, textured paintings with ground up minerals and gemstones are collections; remembered experiences and fantasies at the same time. The paintings may be a detail view or an aerial one. A precise collection of books of history and geography are collaged with minimal interventions but pivotal touches. Her distinctive experiences and memories have left an indelible fingerprint. In the ambiguous landscapes of the paintings and books, there is an underlying preoccupation with escaping a city with the same fantastical vigor that draws many of us to it in the first place. Born directly out of Gecker’s diverse studio practice, pleasure principle is a delicate arrangement of these competing and layered parts.

    Jaime Gecker lives and works in Brooklyn. This is her first solo show with Sardine. Her work has been exhibited at Gavin Brown’s enterprise, Monya Rowe Gallery and Daily Operation in New York, and Don’t Projects in Paris.

  • A Night Cap with Matthew F Fisher

    A Night Cap with Matthew F Fisher

    This is the last weekend to see Matthew F Fisher's "Black Water Don't Shine Like the Moon". Please join us during our open hours (1-6 Sat. and Sun.) or for a Night Cap with the artist this Sunday, February 22nd from 6 to 8 pm.

    Press Release:

    Sardine is pleased to present Black Water Don’t Shine Like the Moon, a solo exhibition of drawings by Matthew F Fisher. It opens Saturday, Jan. 31st, with an opening reception from 6 to 9 pm. It will be open through Sunday, February 22nd.

    This show brings together a group of drawings that are the soul of Fisher’s artistic process. Completed over the past few years, they reveal a time when Fisher finds his voice amidst the elements of land, sea, and sky. Combining ink and collage on book pages with hand-made or found frames, the simplest forms become timeless deliberations on existence. With all the beauty and heart one can muster, real, ideal and everything in-between, exist simultaneously.

    From the artist, Jan. 6, 2015:

    Drawings happen and are forgotten. Only to be remembered later. A nod before the wink. These forgotten moments, documents of a day's past, often act like bridges to the paintings. With the paintings, every action, decision, is over-thought. Drawing is truly the shortest distance from artist's hand to artist's mind. Even though my drawing process can be slow – they can easily linger for weeks, months, years, in various states -the idea is translated through movement, a record of that exact moment. Drawings often feel like a road map to my thoughts. This comfort of being in an unfinished state allows the drawings to be a marker of where I have been and a guidance of where I might want to go.

    Matthew F. Fisher lives and works in Brooklyn and completed his MFA at Virginia Commonwealth University in 2000. He has showed widely in NYC and across the country. This includes solo exhibitions at Ampersand Gallery, ADA Gallery, Mulherin + Pollard Projects, University of the Arts, and RARE Gallery. He has been in group shows at Novella Gallery, Brian Morris Gallery, and Sarah Lawrence College. His work was selected for inclusion in New American Paintings Northeast Issue #116 - 2015. His show, The World Outside, also featuring Ryan Schneider, opens on Jan. 24 at Old Dominion University in Norfolk, VA.

  • Matthew F Fisher – Black Water Don’t Shine Like the Moon reviewed in Time Out New York

    Matthew F Fisher – Black Water Don’t Shine Like the Moon reviewed in Time Out New York

    Review in Time Out New York February 12-18, 2015 edition reads:

    Even at first glance, Matthew F Fisher's show of ink drawings is long on charm and quirk. Hung in a single row in this modest space aptly named Sardine, the 30 works on paper feature meticulously limned scenes of nature.

    Fisher's renderings limit the natural world to only a few motifs, stylized to the point of eccentricity. Bent grasses assume calligraphic forms. Crashing waves, striated like tresses of hair and made effervescent by tiny collaged bubbles, break in several directions at once, often framing a celestial orb. As in the Surrealist Andre Breton's notion of "convulsive beauty" the world in Fisher's images shapes itself into a kind of writing.

    Fisher's often humorously literal line recalls cartoons, and his ornamental treatment of natural phenomena brings to mind certain strains of folk art. But these drawings also evoke the abstracting love for nature's vitality shared by Arthur Dove and Georgia O'Keeffe, as well as an oddball mysticism. Quietly cultivating an idiosyncratic vision, Fisher's work becomes nothing short of visionary.

    - Joseph R. Wolin

    THE BOTTOM LINE: Views of nature that aren't natural.

  • Matthew F Fisher – Black Water Don’t Shine Like the Moon

    Matthew F Fisher – Black Water Don’t Shine Like the Moon

    Sardine is pleased to present Black Water Don’t Shine Like the Moon, a solo exhibition of drawings by Matthew F Fisher. It opens Saturday, Jan. 31st, with an opening reception from 6 to 9 pm. It will be open through Sunday, February 22nd. This show brings together a group of drawings that are the soul of Fisher’s artistic process. Completed over the past few years, they reveal a time when Fisher finds his voice amidst the elements of land, sea, and sky. Combining ink and collage on book pages with hand-made or found frames, the simplest forms become timeless deliberations on existence. With all the beauty and heart one can muster, real, ideal and everything in-between, exist simultaneously.

    From the artist, Jan. 6, 2015:

    Drawings happen and are forgotten. Only to be remembered later. A nod before the wink. These forgotten moments, documents of a day's past, often act like bridges to the paintings. With the paintings, every action, decision, is over-thought. Drawing is truly the shortest distance from artist's hand to artist's mind. Even though my drawing process can be slow – they can easily linger for weeks, months, years, in various states -the idea is translated through movement, a record of that exact moment. Drawings often feel like a road map to my thoughts. This comfort of being in an unfinished state allows the drawings to be a marker of where I have been and a guidance of where I might want to go.

    Matthew F. Fisher lives and works in Brooklyn and completed his MFA at Virginia Commonwealth University in 2000. He has showed widely in NYC and across the country. This includes solo exhibitions at Ampersand Gallery, ADA Gallery, Mulherin + Pollard Projects, University of the Arts, and RARE Gallery. He has been in group shows at Novella Gallery, Brian Morris Gallery, and Sarah Lawrence College. His work was selected for inclusion in New American Paintings Northeast Issue #116 - 2015. His show, The World Outside, also featuring Ryan Schneider, opens on Jan. 24 at Old Dominion University in Norfolk, VA.

  • STATIC WIRE- A night of dance with Lara Gemmiti & Kate Morales

    STATIC WIRE- A night of dance with Lara Gemmiti & Kate Morales

    Sardine is pleased to present STATIC WIRE, a night of dance with Lara Gemmiti and Kate Morales. It will begin at 8 pm on Saturday Jan. 17, with a reception to follow. Doors will open at 7:30 pm.

    Our bodies are vessels, which store emotion within different parts. Our mind responds to our bodies’ stored emotion, which then leads our body to its most natural movement. Separately creating movement through structured improvisation, Lara and Kate came together to notice accidental similarities to their bodies’ reactions to feeling. For STATIC WIRE, they are making a conscious effort to only move when both their mind and body felt, simply…happy. A film, which will be projecting over the dancers’ bodies, is to further illustrate the separation and similarities between the two performers and their process. This is part of a collection of solo works that made their debut last July at Sardine and will be performed at The Greenspace’s Fertile Ground in April.

    Lara Gemmiti is a dancer, choreographer and director, originally from Toronto, Canada. Lara is interested in movement that is informed through personal experiences, organic interactions and interpersonal relationships. She holds an MFA in Dance from NYU's Tisch School of the Arts. She has performed and worked with choreographers and companies in New York, Boston and Toronto they include, Jim Marten, (NY) Brook Notary, (NY) dance critic Deborah Jowitt (NY), Beth Soll and Dancers,(Boston) D.A Hoskins, (TO) Andrea Nann, (TO) Robert Glumbeck, (TO) Malgorzata Nowacka, (TO) Ryan Lee (TO) and was a company member of Typecast Dance Company (TO).

    Kate Morales is a dancer and choreographer from Los Angeles. She holds a degree in Dance Performance from Cal Arts and has been seen on stage from Venice Beach to downtown LA, the Lower East Side to Midtown Manhattan in performances ranging from burlesque, solo work and site specific performance art. Her non-dance work can be found in print and online in GLASS Quarterly, Broadway World Dance, and xojane and xovain.

    Sardine is located on the ground floor of 286 Stanhope Street, Brooklyn. For more information, please visit sardinebk.com. Contact: Lacey Fekishazy and Jon Lutz at sardinebk@gmail.com

  • Michele Hemsoth BREATHE

    Michele Hemsoth BREATHE

    Sardine is pleased to present BREATHE, a solo exhibition by Michele Hemsoth. It opens Saturday, Nov. 15, with an opening reception from 6 to 9 pm. It will be open through Dec. 14, 2014.
     
    On the occasion of BREATHE, Sardine asked art historian Vittorio Colaizzi to introduce her works:
     
    Michele Hemsoth’s paintings and drawings meet us at the nexus of image and idiom, where specific visual experience stands out in relief from categorical knowledge. It would be easy to verbally approximate what she does, but each of her works acts as a polemic against approximation. Rather than a Mobius strip of endless figure/ground vacillation, Hemsoth in fact presents an abundantly clear, stark figure. It is only once this figure is established that its primacy gives way to doubts, as the surrounding space intervenes with ballooning, tapering encroachments. Some of these forms may suggest Swiss cheese, kidneys or ersatz surrealism, but it is less important what her forms look like, or even that they look like something, but that they look at all. What counts is that she invents an image instead of strategizing an idiom. Decades of painting have led Hemsoth to her concise and arguably elemental vocabulary, yet she has resisted the mandate to subordinate pictorial content to spatial or discursive context. Far from practicing a naïve retro-modernism, Hemsoth makes an historically-informed argument for possibility, even disruptive possibility, in abstraction.
     
    Abstraction’s greatest fear is to become a repository of unconstrained yet undistinguished invention, invention without necessity, without tension. Rather than setting up machines that make the art in order to evade this fear, Hemsoth blasts straight through it with pictorial intelligence as her only weapon. Despite occasional traces of previous states in her extravagantly, one might say disjunctively textured surfaces, we would be mistaken to regard Hemsoth’s paintings as arbitrary stoppages in an endless process of formal noodling. She paints and repaints her configurations in order to stress that, as she has put it, “I really mean this.” In this she is notable because after the critique of authorship, few artists really mean anything. Bets are hedged with processes that court accident and evade agency. By contrast, Hemsoth finds it urgent to assert her agency as a consciousness at work, and invites, but does not compel the viewer to witness and inhabit this work of consciousness.
     
    Vittorio Colaizzi holds an MFA in painting and a PhD in art history from Virginia Commonwealth University. Currently he is an assistant professor of art history at Old Dominion University in Norfolk, Virginia. His monograph on Robert Ryman is forthcoming from Phaidon.
     
    Michele Hemsoth lives and works in Brooklyn, NY. She has participated in numerous group exhibitions since the early 1980s. This is her first solo exhibition in New York.
     

  • Andy Cross- MIRROR VENUS

    Andy Cross- MIRROR VENUS

    Sardine is pleased to present MIRROR VENUS, a solo exhibition by Andy Cross. It opens Saturday, October 11, with an opening reception from 7 to 10 pm. It will be up through Sunday, November 2, 2014.

    “The world is becoming more and more specialized, and art is no different. I do not want to define myself as a figurative or abstract painter, as a minimalist or conceptualist etc, etc; the ‘isms’ go on and on. I love painting, and find true meaning in its expansive, creative, and overall potential of expression. It is a meta-language. I want to approach the totality of it, and try to paint everything in every style.”
    – Andy Cross

     
    MIRROR VENUS features a selection of Cross' paintings executed over the past few years. This grouping is anchored in his ability to evoke the indefinable remnants of human interaction. Exchanging glances and colors connect. Quiet expressions and slow moving, inner-thoughts reflect. Artist or sitter, you can identify with both. Woman or man, the layered connections are apparent. Whether a portrait or more literally his resin mirrors, you are provided with a chance to be the sitter and viewer in one. Seeing your self amidst the painting is a simple, but timeless touch. Smile at these paintings and they will smile back at you.

    Andy Cross was born in Richmond, Virginia. Having moved to NY in 2001, he received his MFA at Hunter College, in 2005. He currently lives and works in Brooklyn. This month marks two solo exhibitions in Brooklyn: one at Sardine and the other at Cathouse FUNeral. Last year the second installation of “House Painter, was exhibited at the Max Mara, Maramotti Collection in Reggio Emilia, during May 2013. In New York he has also shown at Martos Gallery, Peter Blum, ATM, Museum 52, Kravets Wehby, and with Mario Diacono.

  • Leah Tacha - TROPHY

    Leah Tacha - TROPHY

    Sardine is pleased to present TROPHY, a solo exhibition by Leah Tacha. It opens Saturday, September 13th, with an opening reception from 6 to 9pm. It will be up through October 5, 2014.

    TROPHY features Tacha's recent body of sculptures using painted and glazed ceramic in combination with photographs. With this group, there was an evolution in her approach to materials, scale and concept. There's a confidence that comes with trusting your gut in the studio. With the works in TROPHY, she celebrates that, with an ear to art history and a love of putting your hands to work. By forcing two mediums to coexist that don’t necessarily relate, they reflect the unmistakable feeling of freedom that every artist has when they no longer concern themselves with certain rules.  She owns and exploits what’s happening in front of her, giving herself permission to make functional yet intuitive objects paired with exaggerated snapshots from nature to become their own weird autonomous beings. We hope that you'll find something within these works that you can also celebrate: fighting for it, relaxing, freedom, finding home, loving, listening, making it perfect, realism, complaining, making your mark, calling bullshit, and finding joy.

    Leah Tacha was born and raised in Lawrence, Kansas.  She received her BFA in Painting from The Cleveland Institute of Art in 2007 and her MFA from SUNY Purchase College in 2009.  She has shown with Daily Operation, RARE Gallery, New Baroque, and Reinberger Gallery.  Currently living and working in Bushwick, Brooklyn.

     

  • Haus Party organized by Jaime Gecker

    Haus Party organized by Jaime Gecker

    Saturday, July 26 at 7:30pm

    Please come out to Haus Party for a night of film, fun, beer and a six-foot hero.

    Some Bauhaus and Surrealist short films, followed by a feature film to watch while eating and hanging out.

    Organized by Jaime Gecker